Five Fun Podcasts for English Teachers

As part of my self-directed professional development, I subscribe to numerous podcasts, but these are the five that provide regular combinations of fun and information for my English teacher soul. The links here point to the iTunes page for each podcast, but downloads are also available from each podcast’s web page.

writers almanac“The Writer’s Almanac with Garrison Keillor”: This is how I begin most days. Garrison Keillor, one of America’s great storytellers and narrators, relates the most interesting literary birthdays and historical anniversaries associated with each day of the year. As he tells the stories behind the people and occasions, Keillor somehow moves the part of the mind that gets things churning for writers. Each episode ends with Keillor reading a poem. His choices include both contemporary and classic works, and he makes each poem sound like a neighbor relaying to us the most intriguing parts of his day. And all of this happens in about five minutes on a daily basis, which is a small miracle if you think about it.

write life podcast“Write Life: A Writers Week Podcast”: Writers Week at William Fremd High School in Palatine, Illinois is a week-long celebration of writing that has featured well over 200 professional writers, more than a thousand students, as well as faculty and staff members from every department in the school. (Disclaimer: I was involved in developing and planning Writers Week from 1995-2014.) “Write Life” is a podcast extension of this highly successful program. The “Write Life” format includes students interviewing a writer, most of whom have been Writers Week guests. Even though the “Write Life” podcast is fairly new, the impressive list of guests includes Chris Crutcher, Jennifer Niven, A. S. King, and Sierra DeMulder. The energetic student interviewers ask different questions than adults tend to ask, and listeners can tell the featured guests enjoy the spontaneity of interacting with young people. Most segments end with the students and guest playing some kind of game, usually a word-association activity. “Write Life” has also put out a couple of “Throwback Thursday” episodes that include faculty members introducing clips from past guest presentations, including Billy Collins, Naomi Shihab Nye, Harry Mark Petrakis, and Daniel Ferri. (Another disclaimer: I introduced the Harry Mark Petrakis clip for the seventh episode.) Everything about this podcast will be inspiring to English teachers, from thoughtful authors communicating directly with their readers to students who comfortably engage with authors they clearly admire. Kudos to Fremd English teachers Gina Enk and Russ Anderson for their production of the “Write Life” podcast.

yarn“The Yarn”:  For the first season of “The Yarn,” Colby Sharp and Travis Yonker took listeners through a series of fascinating interviews with many of the people associated with developing the graphic novel memoir Sunny Side Up by Jenni Holm and Matt Holm. This season’s episodes have focused on one author talking about his or her newest book and usually reading a bit of it. Colby and Travis know all the sweet spots when it comes to children’s literature, so they choose writers and books that teachers will not only find interesting, but their questions help the authors illuminate aspects of their books that teachers can put to use in classrooms. Recent guests include Hervé Tullet, Lindsay Eagar, and Salina Yoon.

botn“Books on the Nightstand”:  Ann Kingman and Michael Kindness provide those of us with bookish inclinations a weekly podcast that readers (and maybe only readers) will enjoy. Each episode includes Ann and Michael discussing something about reading, books, reading lives, authors, or publishing. (Both hosts work for Random House.) They are thoughtful readers and articulate in their conversations. In addition to the featured discussion topic, each episode also includes an audiobook recommendation, as well as other recommendations of new books (“Two Books We Can’t Wait for You to Read”) or older books (“Don’t You Forget about Me”). I can’t keep track of how many excellent books I’ve read because they were recommended on this podcast. Michael and Ann have friendly voices, and after listening to this podcast regularly for a couple of years, it’s easy to start thinking of them as book pals. (At last year’s NCTE convention, I asked the folks at the Random House booth if they knew Ann and Michael. They all said yes and talked about how nice they are.) English teachers and other book lovers will find kindred spirits in “Books on the Nightstand.”

no such thing“No Such Thing as A Fish”:  OK, this one has nothing to do directly with our classrooms, but I still love it. “No Such Thing as A Fish” appeared in a recent ilovenewbies blog post about podcasts, and it’s now one of my favorites. This UK-based show features the same four clever fact-finders in front of a live audience. Each panelist presents a unique fact, which they all then discuss and dissect for a few minutes. Recent facts: In Utah, you cannot wear a hat in your driver’s license photo, but you can wear a colander on your head. For a penny, you rent a bee for a month. In Japan, making a human pyramid higher than five tiers is illegal. This podcast always has me chuckling within the first ninety seconds, and the banter is always funny. The humor here (or humour) is different from American humor—it’s not as crass and blunt and more based on fun wordplay, which appeals to the English teacher in me.

If you’re a fan of any of these podcasts, feel free to say what you like about them, as well as any other recommendations for enjoyable podcasts. As always, thanks for reading!

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My Top Ten Merle Haggard Songs

  1. merle banner

When I heard earlier today that Merle Haggard had passed away, I felt just terrible. I loved that guy. The best way I can think of to celebrate Merle is through his music, so what follows here is a collection of videos featuring my favorite Merle Haggard songs.

I was lucky enough to see Merle Haggard three times. I also had a near-miss when I was a kid. My mom had tickets for us to see him with Marty Robbins, but they were a no-show. (Marty Robbins was one of my mom’s favorites.)

The first time I saw Merle was in 1991. Reba McEntire was scheduled to play a concert at Pheasant Run in St. Charles, Illinois. When a bus crash killed several members of her band, various country stars volunteered to do fill-in shows as benefits for the families. Although I wasn’t interested in attending a Reba McEntire concert, when the replacement show was headlined by Merle Haggard, I jumped on it. Along with Lorrie Morgan and Sawyer Brown, Merle did a brilliant show. Wearing a flannel shirt and vest, he looked like he’d just stepped out his fishing cabin, slung on a guitar, and started belting out some of the best country songs ever written.

The second time was at The House of Blues in Chicago. I can’t remember when it was but sometime after 1991. It was standing-room-only and we were right down front. Not only was Haggard a great singer-songwriter, but he was also a searing guitarist and a show-stopping entertainer. All of that was on fine display that night.

merle hatThe final time was in 2005 when Merle toured with Bob Dylan. The tour came to the Auditorium Theater in Chicago with Amos Lee as the opening act. Amos Lee was good. Merle was terrific but a little subdued in a shortened set. Although I’m not sure Merle Haggard should have been the opening act for anybody, he kept taking off his hat and bowing humbly. When Rolling Stone asked him if he’d spent any time on the bus with Bob Dylan, Merle said, “Bob doesn’t hang.”

The words that come to mind for me today when thinking about Merle Haggard are integrity and literary artistry. These are the songs that formed my impression of someone who I never met but I’ll definitely miss.

1. “Sing Me Back Home”

2. “That’s the Way Love Goes”

3. “Mama Tried”

4. “Kern River”

5. “Silver Wings”

6. “If We Make It Through December”

7. “Big City”

8. “Okie from Muskogee”

9. “Daddy Frank”

10. “Twinkle Twinkle Lucky Star”

Thanks, Merle. I would’ve fixed your flat tire any time.

Please add a shout-out to your favorite Merle Haggard songs!

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Jacket-medThe ways teens use social media spawn a lot of myths. Here are a few:

• Using social media makes teens vulnerable to bullies and sexual predators.
• Many teens are addicted to technology.
• The “digital native” generation has intuitive expertise in using technology.
• The Internet is an equalizer for disenfranchised social groups.
• Google is a more reliable source of information than Wikipedia.

Using research, interviews, and common sense to tackle these misperceptions, Danah Boyd’s It’s Complicated: The Social Lives of Networked Teens provides thorough, relevant, and fascinating insights into how adolescents actually engage with social media.

Guess what?

• Teens are no more vulnerable to bullies and sexual predators online than they are offline.
• “Addiction” isn’t an accurate way to describe most adolescent tech usage, and if kids are addicted to anything, it’s their friends, not their phones.
• Those described as “digital natives” may have more familiarity with technology, but they do not understand how to use it critically and productively. They need help with that from adults who do know how to make technology work for us.
• The Internet doesn’t do a good job of pulling in disenfranchised social groups. (For example, Siri struggles with some Middle Eastern accents and others, and most facial recognition software is less accurate with dark skin tones.)
• Wikipedia’s parameters and protocols for posting accurate information far exceed those of Google.

As Boyd writes, “[T]he mere existence of new technology neither creates nor magically solves cultural problems. In fact, their construction typically reinforces existing social divisions.” Because adults tend to use technology differently from teens, we blame the phones for causing problems and the kids for being screen-based time-wasters. But maybe the problem isn’t the technology; maybe it’s us.

As parents, we put the phones in kids’ hands so that we can communicate with them, but we are also more reluctant these days to let kids wander and play outside, and many kids are scheduled to the nth degree. So with restricted time and roaming ability, how do kids hang out? Online. At night.

Many teachers tend to believe the Internet is full of junk information while textbooks and encyclopedias are full of valuable information. So, we restrict the ways students can learn online and require them to use print material, which is no more or less likely to be accurate than online information. Some educators are also less comfortable with asynchronous or “crowdsourced” learning than they are with teacher-centered learning. So, again, the technology is restricted, causing students to go online without the guidance of teachers. That’s a missed opportunity, folks.

To be fair, Boyd recognizes that some teens do not handle things well: “Not all youth are doing all right, just as not all adults are. Technology makes the struggles youth face visible, but it neither creates nor prevents harmful things from happening even if it can be a tool for both. It simply mirrors and magnifies many aspects of everyday life, good and bad.”

It’s Complicated clarified my thinking on many issues, and I highly recommend it for teachers and parents, especially those in a quandary about how young people interact with social media.

The entire book is available online here.

Boyd, Danah.  It’s Complicated:  The Social Lives of Networked Teens.  New Haven:  Yale                 University Press, 2014.

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Four More Books for High School Libraries and Classrooms!

Here are four books that will be great additions to high school libraries and classrooms. Each can work as independent reading or as texts shared by a larger number of students. If you’re making a list of summer reading suggestions, these are excellent titles to include.

The Lifeboat CliqueThe Lifeboat Clique by Kathy Parks

When Denver Reynolds goes to an illicit party at a Malibu beach house to meet a boy who might actually like her, she finds herself amidst popular people who angrily tell her she shouldn’t be there. Then the earth rolls and a giant tsunami wave strikes the coast, sending Denver and four other party-goers out to sea grasping what is left of the beach house’s roof. Pretty Little Life of Pi? That’s pretty close.

I first discovered author Kathy Parks more than ten years ago through her early novels written under the name Kathy Hepinstall. Those books—especially The Absence of Nectar—were great reads because of their quirky characters, snappy dialogue, and engrossing plot lines. When I learned that Kathy Hepinstall and Kathy Parks, author of the just published The Lifeboat Clique, were the same person, it was #mindblown time. I’m glad (but not surprised) to say that Kathy Parks has delivered a YA novel many young readers are likely to devour this summer.

But back to those kids afloat on the roof! They do not like or trust each other, for the most part. Denver’s former friend Abigail is there, along with Sienna, meanest of the mean girls, and Hayley, who maintains her popularity by being bland and beautiful. Trevor, a stoner who constantly drums on whatever is handy, is the only boy among the castaways. Luckily, they soon come across a boat. The boat is rudderless but water-tight, and that becomes their home for a long time.

The Lifeboat Clique, as they eventually call themselves, must figure out not only how to survive but also how to co-exist. As the adventure unfolds, Kathy Parks gives us drama and humor, both on the boat and in flashbacks that show us how the characters’ past interactions led to later complications, as well as important insights into how crisis brings out our most dominant personality traits.
Because I like you, I will not reveal here which of the Lifeboat Clique members actually survive the experience. All I’ll do is say that readers will want their friends to also get this book, and those who finish first will definitely tell the others to hurry up and get to the end so they can talk about it!

Today Means AmenToday Means Amen by Sierra DeMulder

In a voice brashly proud of its vulnerability, Sierra DeMulder’s absorbing new collection Today Means Amen will help readers appreciate a world that lets us claim higher ground if we have known and moved past mistakes, miscalculations, and imperfections. And that includes pretty much all of us.

Each of these poems is grounded in a recognizable reality and then tears a hole in it to reveal a larger truth: a stop at a country cemetery, visits to a grandfather living with dementia, a drunken father talking to another father about his daughter’s suicide, a boyfriend who is “an emotional robot.” DeMulder writes about children, the elderly, and past lovers who rough up and then heal our hearts.

I’m hesitant to quote the poems because I want readers to savor each line for the first time in its intended context. But there are so many good lines! OK, just one: “Sweetheart, shame has been / bound in your basement too long.”

If there is any justice in the poetry world, Today Means Amen will receive a lot of awards this year. Please read it, share it, and let me know your thoughts.

All American BoysAll American Boys by Jason Reynolds and Brendan Kiely

Although I found much to admire in All American Boys, I couldn’t quite give it five stars. Yes, it deals with an important topic. Yes, I think many young people would benefit from reading it. But as a novel, it has some problems. One of the alternating voices is much more compelling than the other. I found myself wishing that the sections with the weaker voice would go by more quickly.

This other issue is borderline-trivial. The “Family Circus” comic plays a role in All American Boys. Rashad tells how his father gave him the Sunday comics, and he was enthralled with how “Family Circus” was presented as a circle. Nope. “Family Circus” is a circle Monday through Saturday, but the Sunday version is almost always a wide rectangular panel. A realistic novel needs to be realistic, and this factual error took me out of the realism.

All American Boys is definitely a worthwhile, important book, but it’s not a great novel.

Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam WarMost Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War by Steve Sheinkin

Steve Sheinkin once again finds the dramatic heart of a historical story and provides young readers (and not-so-young readers) with a tension-filled political thriller. Daniel Ellsberg’s metamorphosis from government insider to government whistle-blower plays out against the extensive background of the Vietnam War. Sheinkin’s portrayals of presidents Lyndon Johnson and Richard Nixon are especially fascinating as we see how each tries not to lose the war. Sheinkin also helps readers understand how Nixon’s frustrations with the war led to the Watergate scandal and his eventual resignation.

Thanks for reading here, and I welcome your comments on these books!

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Review: LIT UP by David Denby

lit upThe premise of David Denby’s Lit Up is that although high school students are reluctant to read works of literature, a talented teacher can help young people find relevance and purpose in challenging texts. With that in mind, Denby attended the English classes of three different teachers who were successful to at least some degree in invigorating their students’ reading lives. The main focus is on Beacon School English teacher Sean Leon whose sophomore English class reading list is … daunting.

While I have no doubt that Mr. Leon is an inspiring teacher who brings out the best in his students, my own teacher radar went off on a couple of points. We never actually see his students reading. We see these seemingly typical sophomores come to class ready to talk in depth about the works they have read, but it’s not at all clear how they processed those books. I’m a nuts-and-bolts kind of guy, and I would have liked to understand better how Mr. Leon assigned the reading and made sure students were actually reading rather than simply Shmoop-ing. Only a handful of students are mentioned as participants in the discussions, and I wonder about the others.  I’m also concerned that this class spent too much time on each book. When discussing the teaching of Nathaniel Hawthorne’s The Scarlet Letter, Denby says at one point, “As the weeks went on, the students admitted they were surprised by the power of the fable.” As the weeks went on? When it came to a different book, Denby says, “but after a month or so of discussing Slaughterhouse-Five …” Kelly Gallagher’s Readicide (included in the bibliography of Lit Up) warns against over-teaching literary texts. Spending numerous weeks or “a month or so” seems like a perfect example of the over-teaching that causes students to turn away from reading as a pleasurable experience.

Mamaroneck, another school featured in Lit Up, uses Penny Kittle’s Book Love as the inspiration for combining titles chosen by the students with whole-class study of classic works. (Interestingly, a recent Book Love podcast featured teachers from the same school.) This approach is my approach, so it made perfect sense to me, and I have no doubt that it creates many lifelong readers. I get the sense though that Denby sees the independent reading as a sort of necessary evil bridge to books he considers more worthwhile. He tips his hand when he declares that No Easy Day by Matt Bissonnette and Kevin Mauer and The Girl You Left Behind by Jo Jo Moyes are “neither of them close to literature.” Many English teachers, including me, would disagree with that statement.

Hillhouse, the third school visited by Denby, has pervasive challenges. The majority of its students live in urban poverty. The teacher whose class Denby visited considers it her mission to show students how literature can give people “the ability to get out of themselves and to enter other people’s lives.” I was impressed with how she directly connected her students to Ishmael Beah, the author of A Long Way Gone, a book they had read in class (with copies purchased by the teacher with her own money): “The students had met a real writer whose book many of them had chosen to read. A writer and his book; they read it, and they met the author, and they were close to happiness.” Connecting students with authors is a powerful reading motivator.

Ultimately, Lit Up amounts to far less than what first meets the eye. Although there is no question that the students in these classes experienced a good year with literature, my concern is that it’s temporary. Denby’s Afterword catches up with some of the students from Beacon and Hillhouse some months later, and reading doesn’t seem to have stuck with them. They may have been “lit up” for a time, but for the most part, their reading lights apparently flickered out when the classes ended. (No teachers or students from Mamaroneck, the Book Love school, were mentioned in the Afterword.) Still, I’m glad good teachers are helping students experience books and literature, and I’m glad a book like Lit Up is being talked about in the mainstream media to draw attention to how reading is fading from the lives of many young people.

I think it comes down to this. Teaching literature is a noble enterprise. Helping adolescents develop lasting reading lives is also a noble enterprise. These two goals have some overlapping areas, but they are not the same. Lit Up is about teaching literature, but the creation of reading habits—while acknowledged as a worthwhile outcome—isn’t really the focus of this book. I’d like to see David Denby also tell the story of schools and teachers successfully involved in transforming students into lifelong readers.  I know a lot of great English teachers who are doing just that and who will gladly help Mr. Denby with such a project.

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Review: WRITING WITH MENTORS by Allison Marchetti and Rebekah O’Dell

41dIMvzIynL__SX395_BO1,204,203,200_In their remarkable new book Writing with Mentors: How to Reach Every Writer in the Room Using Current, Engaging Mentor Texts (Heinemann 2015), Allison Marchetti and Rebekah O’Dell show how they use mentor texts as the foundation for their writing classes and provide detailed guidance on how other teachers can do the same.

Most writing teachers know that students learn well from mentor texts—relatively short pieces or passages that demonstrate a certain principle under consideration. We may trot out an occasional editorial or classic text to make some rhetorical point, but frequently the modeling potential of what is available to us is left un-mined. Reasons for that sporadic approach can vary, but student writers greatly benefit when they study how other writers practice their craft and solve writer-ly problems.

One of the most impressive aspects of Writing with Mentors is how thoroughly they treat the topic of working with mentor texts—from finding the texts, to planning a course, to using them for whole-class lessons, small group processing, and individual instruction. Several times during my reading, I thought “Yes, but what about …,” only to have my questions anticipated and addressed.

Although the authors give readers the tools to develop their own banks of mentor texts, Writing with Mentors provides QR codes linking to every one of the plentiful examples mentioned in the book.

This book is much more than a how-to guide. It’s an example of dynamic teachers at work. Marchetti and O’Dell are clearly passionate professionals, eager to search for the best materials and the best delivery methods. But that’s just the start. They also illuminate their collaborative and reflective practices that culminated in such a fine book.

The authors’ expertise in collaboration and reflection is passed on to their students. I’ve struggled to find ways to effectively use small groups in writing classes. Unless the group members are relatively accomplished or relatively equal in ability, the social dynamics of the groupings sometimes overwhelm the writing concerns, at least in my class. Marchetti and O’Dell have solved this by using mentor texts as the basis of grouping. Group members discuss how the mentor texts relate to their own work rather than directly commenting on the strengths and weaknesses of each other’s writing. That, my friends, is brilliant.

Another big take-away for me was how the authors use mentor texts when doing the important work of conferring with students. They say, “It’s like having a third writer present, an expert writer whose knowledge we draw on as we work through various writing situations.”

Students in these classes not only learn to write in many genres, but they are also led to reflect on their reading, their writing, and themselves. All of this is geared toward helping students become independent, courageous, and creative. Those are worthwhile qualities for writers, sure, but they are also valuable for living a rich life.

That big picture is always in focus for these authors: “Remember, students won’t be in school forever, so they need to see purposes for writing beyond school.”

Writing with Mentors is a great choice for self-guided professional development in English/Language Arts, and it is also an excellent choice for group study.

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My Ten Favorite Interview Questions for Hiring English Teachers

mala one childAfter interviewing dozens of candidates for English teaching positions, I developed some approaches and questions for seeing the best in each candidate. I’m mostly interested in figuring out if the candidate is a good person with an educator’s instincts, even if those instincts are not yet fully developed.

I try to avoid context-specific questions. For example, I don’t like to ask about school policies. Candidates cannot be expected to be current on the policies within your school, so questions about late work, grading scales, detention, etc. are not particularly fair or important. After all, those policies change from time to time, so do we want to hire people based on their alignment with a temporary policy?

With that in mind, here are my favorite interview questions.

What were you like in high school? How are you still the same, and how have you changed? This will give you some hints about the candidate’s reflective capacity as he talks about his growth, as well as a picture of which students this candidate is mostly likely to relate to easily.

Tell about a writing challenge you dealt with and how it can help you as a writing teacher. Writing teachers should be writers. Writers struggle. The ability to articulate ways to handle those struggles is a good sign that the candidate will empathize with and develop student writers.

What have you been reading lately that wasn’t required for a class? If a teacher is going to develop lifelong readers, she must be a reader. College students nearing graduation are busy, busy, busy but readers are always reading. If the candidate says, “I only have time for textbooks these days, but I hope to get back to pleasure reading soon,” that’s a candidate who won’t light fires for reading in her students. If the candidate claims to “only read the classics,” that’s a potential danger sign too. Although it’s possible that you have a Renaissance-level candidate, it’s also possible that you have one who only reads what is assigned, and maybe not even that. If a classics-only answer comes out, ask what contemporary books might be considered classics a hundred years from now. It’s OK if a candidate is reading what you might consider fluff. That’s a person who gets that books are not just for school, and she has the authenticity to engender that understanding in her students.

How do you engage reluctant learners with poetry? This question not only gets at the candidate’s ability to differentiate instruction but is also likely to reveal some attitudes about engagement. The poetry angle provides a specific context for that engagement.

If you could design a classroom starting with bare walls, what would you put in there? This will tell you a lot about the candidate’s actual philosophy, as opposed to the “educational philosophy” carefully crafted for his portfolio. What the candidate chooses to include or exclude, and how he arranges those elements will tell you a lot about the philosophy he puts into action. This question isn’t intended to see how closely the candidate can match the physical attributes of your school’s classrooms; it’s more about the candidate’s ideals.

What are you pretty good at as a teacher, and what are you still working on? The second part of the question is more important than the first part. In addressing the latter part, a humble candidate will probably say a version of “Everything,” but you should press for more specifics. A candidate may equate “still working on” with weakness, but a mature candidate will be more specific: “I’ve seen master teachers conduct a whole-class lesson while simultaneously touching base with individual students. I’m not there yet, but I want to work on developing that ability.”

Do you think boys learn differently from girls? There is no perfect answer to this, but again it helps you see the candidate as a thinker and problem solver.

What are factors affecting student performance that you cannot control?
This will give you an understanding of whether or not the candidate has the big picture. Someone who has a lot of classroom tools might not understand how what goes on outside of his class can affect a student’s learning and behavior.

How would your students describe you? One time I asked a candidate this question, and she said, “I think they hate me.” Then I tried very hard not to start staring at the door I hoped she would soon use as an exit. In fairness, it’s a hard question, but it gives some sense of how the candidate perceives herself in relation to her students. As you listen to the answer, look for some signs of emotion: “I think they like me,” or “They know I care.” You may also hear things about fairness, respect, and rigor. That’s fine, but listen for whether or not she has any emotional commitment to her work.

Which would you rather have: the ability to jump really high or super-bendy limbs? Again, no right answer, obviously, but watch the reaction when you ask the question. If the candidate’s eyes light up and she smiles, that tells you something about how she will handle surprises and her comfort with spontaneity. If, on the other hand, you see blind panic, that tells you something too. Either way, the fact that you ask this question will let the candidate know that you like to have fun and are likely to encourage a friendly working environment.

Here are some post-interview considerations. As you reflect on a candidate’s responses, factor in your own answers to these questions gleaned from a former principal with whom I conducted many interviews: (1.) Would you want to go on a four-hour car ride with this person? and (2.) Would you want your own children to be with this person for an hour a day for a whole year?

Before making a hiring decision, seeing a candidate interact with students is also extremely helpful, but it’s not always possible or practical.

Receiving some kind of follow-up from a candidate always makes a good impression on me. Something in the mail is fine, but an email is just as good and much quicker. I remember finishing an off-site interview with an appealing candidate and thinking, “She has other offers. I hope we made a good impression on her.” By the time I got back to school, there was a thank-you email from her. I responded positively to it, and we hired her within a couple of days.

I hope these thoughts are helpful as you make important decisions that will impact your school, colleagues, and most importantly, the students in the new teacher’s classroom. Thanks for adding your favorite interview questions and experiences in the comments section.

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Some Baseball Books for the 2016 Hot Stove League

In last year’s round-up of baseball books, I said I’d be happy if the Cubs won 85 games, and the season ended up being quite a bit more successful than that with the most exciting season we’ve seen for a while and a legitimate playoff run. Although the Cubs won’t sneak up on anybody this year, it will take more than 85 Ws to win my satisfaction in 2016. This time, I’ll be happy with a National League championship and a trip to the World Series. Anything less will be a disappointment. (I can’t believe I just wrote that.)

With spring training still a few weeks away, those who miss baseball might enjoy reading a baseball book or two. Here are some thoughts on the baseball books I read in 2015. I hope you find something here that gets you through. (You can also search “baseball” on this blog to find recommendations from the past several years.)

One Shot at Forever: A Small Town, an Unlikely Coach, and a Magical Baseball SeasonOne Shot at Forever: A Small Town, an Unlikely Coach, and a Magical Baseball Season by Chris Ballard

Certain things just didn’t happen in small Ilinois towns in the early 1970s. Hippie English teachers didn’t coach baseball for one thing. The team scorekeepers were always boys, and small schools like Macon High could not expect to compete with big-city and suburban powerhouses like Lane Tech and Waukegan.

But as one of the players on the 1971 Macon Ironmen said, “There’s no rule against it.” So they played the game their way. Practice was optional. The players decided among themselves who would play which position. The coach kept the play in “play ball.” And the farm boys just kept winning.

One Shot at Forever is Chris Ballard’s terrific story of the 1971 Macon High Ironmen and their improbable state championship run. Wrapped around their journey are the Vietnam War, small-town pride, and petty jealousies that sometimes play out among the grown-ups in a high school. I have vivid memories of each of those, and Ballard gets them absolutely right.

I hope it’s not a spoiler to say this book ends differently than I expected, but I should have known to expect the unexpected where the Ironmen are concerned. Thanks to Lauren D. for recommending One Shot at Forever, now one of my favorite baseball books.

The Grind: Inside Baseball's Endless SeasonThe Grind: Inside Baseball’s Endless Season by Barry Svrluga

Those involved in major league baseball call it “The Grind,” the day-to-day existence in the longest season in professional sports. “A baseball season, stretching from the tail of one winter to the cusp of the next, erodes the bodies and minds of the men who play. How they handle those demands can determine their performance, there for the world to see nearly every single day,” writes Barry Svrluga in The Grind: Inside Baseball’s Endless Season. Svrluga provides insights into The Grind from the perspective of numerous individuals associated with the Washington Nationals, including star players, a relief pitcher, wives, executives, scouts, and other personnel.

Although The Grind may sound like it would be a litany of complaints, it is really more objective than that as the various people tell how they go about their lives in the flow of a long baseball season, a lifestyle different from any other. The most interesting part for me was how details of life on the road are painstakingly handled by clubhouse manager Rob MacDonald who does everything he can to keep things running smoothly so that players can concentrate on baseball. Although the book strays from its theme in places, The Grind is well worth any baseball fan’s time.

Curveballs & Changeups: Bleeding Blue and Seeing RedCurveballs & Changeups: Bleeding Blue and Seeing Red by K.P. Kmitta

Scott Banks is a lifelong Cubs fan from a family of lifelong Cubs fans. That means, of course, that the Cubs-Cardinals rivalry is in his blood. When Banks finds himself relocated to Cardinal territory and married to a Cardinals fan, he’s a little queasy. Then he wins a contest that puts him on the field at Busch Stadium. Saying more here would ruin the fun, and K. P. Kmitta’s Curveballs and Changeups is a lot of fun.

Kmitta clearly loves the Cubs, baseball, and “base ball.” The Scott Banks plot line is the main narrative, but it is blended with a historical thread about the beginning of professional base ball in St. Louis … and its debt to Chicago. This is a thoroughly enjoyable baseball book, although some scenes seem to be there for reasons other than keeping the story moving forward.

Curveballs and Changeups will be a fun read for any baseball fan, especially those who favor blue or red.

The Pitch That Killed: Carl Mays, Ray Chapman and the Pennant Race of 1920 (Summer Game Books Baseball Classic)The Pitch That Killed: Carl Mays, Ray Chapman and the Pennant Race of 1920 by Mike Sowell

I’ve always known that in the early part of the last century a pitcher named Carl Mays threw a ball that struck and killed a player named Ray Chapman, the only fatality ever to occur on a major league field during a game. Intriguing as that was, I never thought much more about it other than as a bit of trivia.

Then last fall Summer Game Books brought out a new edition of Mike Sowell’s The Pitch That Killed: Carl Mays, Ray Chapman and the Pennant Race of 1920. Sowell’s writing combines the weight of a historian’s approach with a sportswriter’s flair to create an excellent reading experience that illuminates an era, its players, and an unparalleled baseball tragedy.

Sowell provides in-depth context for the Mays pitch that killed Chapman by giving us not just the life stories of those two men, but also those of their teammates, family members, opponents, and bosses. I was surprised to find that Hall of Famers Babe Ruth, Ty Cobb, Tris Speaker, and Joe Sewell are large figures in this story.

Maybe that’s what I liked best about this completely satisfying book: It’s a captivating story with fascinating characters, internal and external conflicts, a century-old setting vividly rendered, and a tragedy more complex than any trivia question.

The next several books are geared for younger readers but fans of all ages may find them worth a look.

Baseball GreatBaseball Great by Tim Green

This one falls in the category of “not recommended,” although it may be just what some readers are seeking.  Baseball Great came on my radar when it was announced as the required all-school summer reading selection for our district’s two middle schools.

The wheels start to come off early in Tim Green’s book when it presents a 31-year old minor league pitcher at the AAA level in the Toronto Blue Jays system. That didn’t sound right, so I checked into it. A 31-year old pitcher might be hanging around in an independent league somewhere, but no major league farm team has had a pitcher that old on a AAA roster for as far back as I could find. (The only exceptions are a few major league pitchers on short rehab assignments.)

How about this for another credibility lapse? A character gets on a team bus, sits in the back, and reads a book on a long trip. OK, fine. A couple of chapters later the same character is on a school bus and sits up front because sometimes he gets motion sickness when he rides in the back of the bus. What? He was perfectly fine in the back of the bus earlier with no mention of motion sickness!

The cover shows a young player with the letter C on his batting helmet. No team anywhere in this book has a C in its name, school, or location.

In the book’s climax the bad guy figures out something pretty remarkable about our hero and heroine, but we are never told how he put it all together.

The actual at-bats and game situations have tension and drama, but there are surprisingly few of those scenes. Most of the plot is predictable, and the characters are wooden and uninteresting.  Even for the students at each school who might like baseball stories, it’s not a very good book.

Baseball Is . . .Baseball Is . . . by Louise Borden

This is a fine, comprehensive tribute to America’s game. I can easily imagine young baseball fans spending hours exploring the artwork’s nuances.

The Unforgettable Season: Joe DiMaggio, Ted Williams and the Record-Setting Summer of1941The Unforgettable Season: Joe DiMaggio, Ted Williams and the Record-Setting Summer of 1941 by Phil Bildner

Phil Bildner captures both the excitement and the historical significance of the 1941 season that saw Joe DiMaggio set a new hitting streak record and Ted Williams pursue a .400 batting average. The text is crisp and engaging, although the artwork’s quality is inconsistent, especially in how Ted Williams face changes significantly from page to page. Young baseball fans will appreciate how Bildner provides context for how every season and every player has the potential for the drama of 1941. Until it happens though, 1941 remains a singular season.

The last two titles are picture books by Matt Tavares, author of Mudball, one of my all-time favorite baseball books.  I had the chance to meet Matt Tavares in November.  He’s a great guy, and I was glad he recorded this little video for my wife’s second grade class.  (Tip for teachers:  Authors are usually happy to record these clips, and I recommend asking whenever you meet an author students like.)

Growing Up Pedro: How the Martinez Brothers Made It from the Dominican Republic All the Way to the Major LeaguesGrowing Up Pedro: How the Martinez Brothers Made It from the Dominican Republic All the Way to the Major Leagues by Matt Tavares

Matt Tavares baseball books are always excellent, but to me Pedro Martinez will always be the guy who humiliated 72-year old Don Zimmer by flinging him to the ground. I’m sure Martinez has done a lot of good things in his life, but this Zimmer fan has a hard time getting past that ugly episode which goes unmentioned in this otherwise fine book.

Becoming Babe RuthBecoming Babe Ruth by Matt Tavares

By focusing on Babe Ruth’s earliest years, Matt Tavares is able to portray the human being behind the myth and avoid getting into Ruth’s bad behavior in his prodigious Yankee years. I admire the body of work Tavares is creating to enhance young baseball fans’ understanding of the game’s history.

Please feel free to leave comments or recommendations for other baseball books!  As always, thanks for reading.

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Review: BIG MAGIC by Elizabeth Gilbert

Don’t you just love how certain books come into your life?01-big-magic-book-review I have a friend who is a writer. A few weeks ago she sent me a message asking if I’d read Elizabeth Gilbert’s Big Magic. I responded with a smart-alecky comment along the lines of “I’ve heard good things about it, but I think it might be too girly for a manly man like me.” Nothing more was said, but a few days later a package appeared on my porch containing a copy of Big Magic and a funny little note.

So I read it, and I’m glad I did. My primary creative pursuit is writing, but lately it’s felt sort of joyless. Everything I’ve been writing is for some professional situation, and although I can do it, it hasn’t been all that fun. Meanwhile, I’ve pushed aside some other appealing ideas in order to work on these things that seem more urgent. Big Magic helped me think differently about this dilemma.

The central metaphor of Big Magic is that creative ideas are alive. They pay us visits and invite us to take them in. If we turn away, they take their business elsewhere. On the other hand, if we embrace the ideas, or at least flirt with them, the creative process will catch spark (hopefully), and we will make something of value to ourselves and possibly others. This may sound overly metaphysical or just plain goofy to some, and that’s OK. Maybe Big Magic isn’t for you. All I know is that within fifteen minutes of finishing it, I’d written a satire piece about Donald Trump that is completely different from anything else I’ve ever written. And I greatly enjoyed the process!

Elizabeth Gilbert’s previous book Eat Pray Love is apparently a big deal. I haven’t read it or seen the movie. To be truthful, it doesn’t sound all that interesting to me. However, that book’s wild popularity gives Gilbert credibility about how creativity relates to success, luck, satisfaction, and persistence. Because Gilbert is a writer, obviously, most of her examples deal with writing, but there are also explanations involving visual art, music, dance, carpentry, cooking, gardening, and other creative pursuits.

One of my favorite aspects of Big Magic is how Gilbert uses memoir to illuminate her explanations. Some chapters tell interesting stories that cohere to her theories about creativity. For example, she was deep into writing a novel when circumstances forced her to put it aside. When she returned to the manuscript, her enthusiasm for the project was gone. From Gilbert’s perspective, the idea had left in search of another artist. Imagine Gilbert’s surprise to discover upon meeting an author she admired that an identical idea was the subject of that author’s most recent work: The idea had found another creator.

So, is Big Magic “too girly”? Apparently not, although in a couple of sentences Gilbert seems to be addressing a specifically female audience. That’s fine though. If you identify at all with the label of artist, or would like to identify as an artist, Big Magic will provide useful inspiration and practical advice for creative growth. This copy of Big Magic that came to me as a gift has some pretty good mojo in it, but I’ll gladly pass it along. If you want it, please let me know privately, and I’ll get it to you. What happens after that is up to you and the creative ideas that come your way.

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My 2015 Reading

goodreads 2015

Before getting too far into 2016, I feel a compulsive need to gather in one place a list of the books I read in 2015. Each book we read changes us a little bit, so this list represents some of the ways that my perspectives evolved in the past year. Instead of doing a top five or top ten, here are some more or less random observations about these books.

First of all, I read a lot of graphic novels this year, especially in the fall as I served as a judge for the 2015 Cybils Awards. I was impressed with the breadth of approaches in this platform. Some of the works were stunning in how they conveyed stories and effects by combining visual and textual elements. The stand-outs for me were Noelle Stevenson’s Nimona and Don Brown’s Drowned City, although there were many other excellent titles. (You can see my ratings and reviews elsewhere on this blog or on Goodreads.) I also dipped into manga for the first time. After acclimating to reading manga-style backwards, I began to appreciate what separates the strongest manga from the rest: great stories and detailed drawing. The artist’s approach to the backgrounds in the panels says a lot about how much craft has gone into a particular book.

Nonfiction titles outnumber the novels this year. I tended to focus on books about baseball, American history, and the music I like (country, classic rock, and bubble gum pop from when I was a kid). No surprises there. (I’ll post my annual round-up of baseball books soon.) In addition, I admired two of Walter Isaacson’s books about American thinkers: The Innovators and Benjamin Franklin: An American Life. I hope to get around to his books on Albert Einstein and Steve Jobs in 2016.

Although it wasn’t a goal, I feel like certain books were accomplishments. How had I gotten this far in life without reading Ernest Hemingway’s The Old Man and the Sea? What a great read.  If winter is getting you down, grab that slim book and head out to sea with Santiago. I’m also caught up on Randy Wayne White’s Doc Ford and Hannah Smith thrillers. (The twenty-third Doc Ford book comes out in March!) These novels are set in Florida and other tropical locations, so they are also good winter-busters.

There were five authors with three titles in my 2015 reading: Bill Bryson, Jimmy Carter, Jane Smiley, Noelle Stevenson, and Mo Willems. I wonder if anyone else in the world has those five writers clustered together for anything.

My list has one omission that I need to explain. One of my favorite books published in 2015 is Read Between the Lines by Jo Knowles. It’s not on the list below because I read it in 2014 before it was published, but when I blogged about my 2014 reading, I didn’t think it was right to promote something that wasn’t available. It’s out now, and I hope readers who haven’t yet experienced Read Between the Lines will like it as much I do.

I was also in a book published in 2015! Schooled: Ordinary, Extraordinary Teaching in an Age of Change by Anne Lutz Fernandez and Catherine Lutz (Teachers College Press, 2015) focuses on how American teachers do their jobs in a challenging era, and I was over the moon to be featured in a chapter of that fine book. If you want to understand American schools today, Schooled is a great place to start.

So many good picture books came my way in 2015. I tend to like funny ones, like I Will Take a Nap! by Mo Willems, but the two that are sticking with me are animal stories: Trouper by Meg Kearney and The Stranded Whale by the venerable Jane Yolen.

Finally, here is the list of the books I read in 2015.

  1. A. S. King:  Reality Boy
  2. Kadir Nelson:  We Are The Ship
  3. William Kuhn:  Reading Jackie
  4. Walter Isaacson:  The Innovators
  5. Randy Wayne White:  Haunted
  6. Cory Doctorow and Jen Wang:  In Real Life
  7. Bill Bryson: A Walk in the Woods
  8. Allison Hoover Bartlett:  The Man Who Loved Books Too Much
  9. Meg Kearney:  Trouper
  10. Dan Santat:  The Adventures of Beekle:  The Unimaginary Friend
  11. Anna Kang: You Are (Not) Small
  12. Katheryn Russell-Brown: Little Melba and her Big Trombone
  13. Mo Willems: Waiting Is Not Easy!
  14. Yuyi Morales:  Viva Frida
  15. Alan Rabinowitz: A Boy and a Jaguar
  16. Lauren Castillo: Nana in the City
  17. James M. McPherson:  Embattled Rebel:  Jefferson Davis as Commander in Chief
  18. Anthony Doerr:  All the Light We Cannot See
  19. Bill Bryson:  I’m a Stranger Here Myself
  20. Armando Galarraga, Jim Joyce, and Daniel Paisner:  Nobody’s Perfect
  21. Misty Copeland: Firebird
  22. Amy Dyckman: Wolfie the Bunny
  23. Chris Haughton: Shh!  We Have a Plan
  24. Jimmy Carter: A Call to Action:  Women, Religion, Violence, and Power
  25. Jane Smiley: Charles Dickens
  26. Jennifer Fisher Bryant and Melissa Sweet:  The Right Word:  Roget and His Thesaurus
  27. Phil Klay:  Redeployment
  28. Anya Kamenetz:  The Test
  29. Andrew Smith:  The Alex Crow

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    I finally had the chance to meet Andrew Smith, author of The Alex Crow and many other books, at the NCTE convention in Minneapolis in November.

  30. Lester Laminack: Saturdays and Teacakes
  31. Jane Yolen:  You Rest Here with Me
  32. Lynda Mullaly Hunt: Fish in a Tree
  33. Matt Tavares: Growin Up Pedro
  34. Al Michaels:  You Can’t Make This Up
  35. Kathleen Flinn: Burnt Toast Makes You Sing Good
  36. Jane Smiley:  Some Luck
  37. Ian McEwen:  The Children Act
  38. Randy Wayne White:  Cuba Straits
  39. Holly Hughes, Ed.: Best Food Writing 2014
  40. Matt Tavares: Becoming Babe Ruth
  41. Jimmy Carter:  A Remarkable Mother
  42. Jon Ronson:  So You’ve Been Publicly Shamed
  43. Kwame Alexander:  The Crossover

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    Kwame Alexander (left), author of The Crossover, won the 2015 Newbery Medal in January.  In November, he put me in a friendly headlock at the Nerdy Book Club party in Minneapolis.

  44. Greg Pizzoli:  Tricky Vic:  The Impossibly True Story of the Man Who Sold the Eiffel Tower
  45. Brian Grazer: A Curious Mind:  The Secret to a Bigger Life
  46. Louis L’Amour:  The Haunted Mesa
  47. Amy Krouse Rosenthal: The OK Book
  48. Mary Oliver: Dog Songs
  49. Jeffrey J. Selingo: College (Un)bound
  50. Emma Yarlett: Orion and the Dark
  51. Gretchen Rubin: Better than Before
  52. Sarah Darer Littman:  Backlash
  53. Elizabeth Green:  Building a Better Teacher
  54. Kevin Fenton:  Merit Badges
  55. Bobby Hart with Glenn Ballantyne:  Psychedelic Bubble Gum
  56. Cristina Henriquez: The Book of Unknown Americans
  57. Ernest Hemingway:  The Old Man and The Sea
  58. Cece Bell:  I Yam a Donkey
  59. Tim Green:  Baseball Great
  60. Ben Fountain: Billy Lynn’s Long Halftime Walk
  61. William Joyce: Billy’s Booger
  62. Heather Lende: Find the Good
  63. Zachariah OHora: My Cousin Momo
  64. Salman Khan:  The One World Schoolhouse
  65. Kazuo Ishiguro:  The Buried Giant
  66. Louise Borden:  Baseball Is …
  67. Silas House:  Eli the Good
  68. Allison Bechdel:  Fun Home
  69. Jonathan Safran Foer:  Eating Animals
  70. Charles Dickens: The Mystery of Edwin Drood
  71. Kent Haruf:  Our Souls at Night
  72. Ben Clanton:  Something Extraordinary
  73. Barry Svrluga: The Grind:  Inside Baseball’s Longest Season
  74. Willie Nelson: It’s A Long Story:  My Life
  75. Jane Smiley:  Early Warning
  76. Harper Lee:  Go Set a Watchman
  77. Elizabeth Bram: Rufus the Writer
  78. John Green:  Paper Towns
  79. Anne Lutz Fernandez and Catherine Lutz:  Schooled:  Ordinary, Extraordinary Teaching in an Age of Change
  80. Emily Jenkins: A Fine Dessert
  81.  Kazuo Ishiguro: Never Let Me Go
  82.  Charles Sobczak:  Six Mornings on Sanibel
  83.  Alan Cumming:  Not My Father’s Son
  84.  George R. R. Martin:  A Game of Thrones
  85. Derf Backderf: Trashed
  86. Jimmy Carter:  A Full Life:  Reflections at Ninety
  87. Frann Preston-Gannon:  Sloth Slept On
  88. J. Ryan Stradal:  Kitchens of the Great Midwest
  89. Don Brown:  Drowned City:  Hurricane Katrina and New Orleans
  90. Jennifer L. Holm and Matthew Holm:  Sunny Side Up
  91. Jane Yolen: The Stranded Whale
  92. Tom Angleberger: McToad Mows Tiny Island
  93. Ken Robinson:  Creative Schools
  94. Alex Gino:  George
  95. Kevin Henkes: Waiting
  96. Walter Isaacson:  Benjamin Franklin:  An American Life
  97. Brian Selznick:  The Marvels
  98. Melanie Watt:  Bug in a Vacuum
  99. Anna Quindlen:  Good Dog.  Stay. 
  100. Becky Cloonan:  Gotham Academy, Vol. 1:  Welcome to Gotham Academy
  101. Jack Baxter:  Mike’s Place
  102. K. P. Kmitta:  Curveballs and Changeups
  103. Eric Colossal:  Rutabaga the Adventure Chef:  Book 1
  104. Nadja Spiegelman: Lost in NYC:  A Subway Adventure
  105. Gareth Hinds:  Macbeth
  106. Scott McCormick:  Mr. Pants:  Trick or Feet!
  107. John Allison:  The Case of the Simple Soul (Bad Machinery #3)
  108. Maxwell Eaton III:  The Flying Beaver Brothers and the Crazy Critter Race (The Flying Beaver Brothers #6)
  109. Wes Moore:  The Other Wes Moore
  110. Noelle Stevenson:  Nimona
  111.  Michel Chikwanine: Child Soldier
  112. Mary Karr: The Art of Memoir
  113. Deb Lucke: The Lunch Witch
  114. Craig Thompson: Space Dumplins
  115. Philip Pullman:  The Golden Compass Graphic Novel, Volume 1
  116. Robert Venditti:  Attack of the Alien Horde (Miles Taylor and the Golden Cape Book 1)
  117. Colleen Frakes: Prison Island
  118. G. Willow Wilson: Ms. Marvel, Vol. 1: No Normal
  119. Chris Ballard: One Shot at Forever
  120. Judd Winick: Hilo Book 1: The Boy Who Crashed to Earth
  121. G. Willow Wilson: Ms. Marvel, Vol. 2: Generation Why
  122.  Yvan Pommaux :  Orpheus in the Underworld
  123.  Alexandra Robbins: The Nurses
  124.  Svetlana Chmakova: Awkward
  125.  Jorge Aguirre:  Dragons Beware!
  126.  Doug TenNapel:  Nnewts:  Escape from the Lizzarks
  127.  Ta-Nehisi Coates:  Between the World and Me
  128.  Andi Watson:  Princess Decomposia and Count Spatula
  129.  Jacob Chabot:  Hello Kitty:  It’s About Time
  130.  Beth Ferry:  Land Shark
  131.  Victoria Jamieson:  Roller Girl
  132.  Marika McCoola:  Baba Yaga’s Assistant
  133.  Noelle Stevenson:  Lumberjanes Volume 1:  Beware the Kitten Holy
  134.  Emily Jenkins:  The Fun Book of Scary Stuff
  135.  Mike Maihack:  Cleopatra in Space #2:  The Thief and the Sword
  136. John Robert Lewis:  March:  Book One
  137. Jennifer McMahon:  The Winter People
  138. John Robert Lewis:  March:  Book Two
  139. Lark Pien: Long Tail Kitty:  Come Out and Play
  140. Mara Rockliff:  Mesmerized:  How Ben Franklin Solved a Mystery that Baffled All of France
  141. Hiroshi Sakurazaka:  All You Need is Kill
  142. Dasha Tolstikova:  A Year Without Mom
  143. Noelle Stevenson:  Lumberjanes, Vol. 2:  Friendship to the Max
  144. Susan Casey:  Voices in the Ocean
  145. Ben Hatke:  Little Robot
  146. Kadir Nelson: If You Plant a Seed
  147. Sally M. Walker:  Winnie: The True Story of the Bear Who Inspired Winnie-the-Pooh
  148. Maggie Thrash: Honor Girl
  149. Kate Beaton: The Princess and the Pony
  150. JonArno Lawson: Sidewalk Flowers
  151. Gene Luen Yang:  Secret Coders
  152. Russell Hoban: Jim’s Lion
  153. Maris Wicks:  Human Body Theater
  154. Deborah Underwood: Interstellar Cinderella
  155. Daniel Miyares: Float
  156. Henrik Rehr: Terrorist
  157. Frank Cammuso:  Dinosaur Dilemma (The Misadventures of Salem Hyde, #4)
  158. Sam Garton: Otter in Space
  159. Michael Hall: Red:  A Crayon’s Story
  160. Stacy King:  Manga Classics: The Scarlet Letter
  161. Emmanuel Guibert: Ariol:  Where’s Petula?
  162. Matt de la Pena:  Last Stop on Market Street
  163. Jimmy Fallon:  Your Baby’s First Word Will Be Dada
  164. Scott McCloud:  The Sculptor
  165. Nanette McGuinness:  Light, Camera, Stilton!
  166. Mo Willems:  I Will Take a Nap!
  167. Sara O’Leary:  This Is Sadie
  168. Dr. Seuss:  What Pet Should I Get?
  169. Katie Cotton:  Counting Lions
  170. Ben Towle:  Oyster War
  171. Phil Bildner:  The Unforgettable Season
  172. Jenny Lawson:  Let’s Pretend This Never Happened
  173. Mary Lyn Ray:  Goodnight, Good Dog
  174. Sean Koo:  March Grand Prix:  The Fast and the Furriest
  175. Otis Frampton: Oddly Normal Vol. 1
  176. Debbie Ridpath Ohi: Where Are My Books?
  177. Robert Goodin: The Kurdles
  178. Peter Guralnick:  Sam Phillips:  The Man Who Invented Rock ‘n’ Roll
  179. Ray Benson: Comin’ Right at Ya
  180. Kate Clifford Larson:  Rosemary:  The Hidden Kennedy Daughter
  181. Bill Bryson: The Mother Tongue
  182. Bob Shea: Ballet Cat:  The Totally Secret Secret

Please let me know if something here sparks your interest and leads you on a great reading adventure in 2016!




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